On this night Kenneth Rexroth was master of ceremonies. This was the first time that Allen Ginsberg read Howl. Lamantia did not read his poetry that night but instead recited works of the recently deceased John Hoffman--beautiful prose poems that left orange stripes and colored visions in the air.
He was a medical doctor, poet, novelist, essayist, and playwright. With Ezra Pound and H. Though his career was initially overshadowed by other poets, he became an inspiration to the Beat generation in the s and 60s.
He was known as an experimenter, an innovator, a revolutionary figure in American poetry. Yet in comparison to artists of his own time who sought a new environment for creativity as expatriates in Europe, Williams lived a remarkably conventional life.
A doctor for more than 40 years serving the citizens of Rutherford, he relied on his patients, the America around him, and his own ebullient imagination to create a distinctively American verse.
He recalled his first poem, also written during that time, giving him a feeling of joy.
|follow poets.org||He was also a pediatrician and general practitioner of medicine, having graduated from the University of Pennsylvania School of Medicine. Williams "worked harder at being a writer than he did at being a physician"; but during his lifetime, Williams excelled at both.|
I have never had and never will have anything but the purest and highest and best thoughts about you and papa. But as Breslin noted, Williams used his college experiences as a means to creativity, instead of, as his parents might have wished, as a means to success.
The Imagists broke from this formulaic poetry by stressing a verse of "swift, uncluttered, functional phrasing. As a doctor, his "medical badge," as he called it, permitted him "to follow the poor defeated body into those gulfs and grottos From the beginning," disclosed Linda Wagner, "he understood the tradeoffs: Perhaps a less subjective appraisal came from Webster Schott, who defined Williams as "an immensely complicated man: He was the complete human being, and all of the qualities of his personality were fused in his writings.
Williams had no interest, he said, in the "speech of the English country people, which would have something artificial about it"; instead he sought a "language modified by our environment, the American environment.
His point was to speak on an equal level with the reader, and to use the language and thought materials of America in expressing his point of view. Improvisations, for example, suffered some stinging attacks.
For a year Williams had made a habit of recording something—anything—in his notebooks every night, and followed these jottings with a comment.
Pound called it "incoherent" and "un-American"; H. His prologue to Kora came from his need "to give some indication of myself to the people I knew; sound off, tell the world—especially my intimate friends—how I felt about them.
What Williams did not foresee, however, was the "atom bomb" on modern poetry— T. Critically, Eliot returned us to the classroom just at the moment when I felt we were on a point to escape to matters much closer to the essence of a new art form itself—rooted in the locality which should give it fruit.
As Karl Shapiro pointed out, "he was left high and dry: Williams felt this and would feel it for another 20 years.
His own poetry would have to progress against the growing orthodoxy of Eliot criticism.
It forced me to be successful. The last in a decade of experimental poetry, Spring and All viewed the same American landscape as did Eliot but interpreted it differently. Williams "saw his poetic task was to affirm the self-reliant, sympathetic consciousness of Whitman in a broken industrialized world," Stauffer noted.
Another may have been his own success, known only to a few, in Spring and All. For decades thereafter he could not outdo himself; some think he never did.
And in it he concentrated on one subject in particular: Williams explained his attraction towards America in a letter to Horace Gregory: I felt that it was expressedly founded for me, personally, and that it must be my first business in life to possess it.
Lawrencefor example, learned from Williams that "there are two ways of being American, and the chiefThe Autobiography of William Carlos Williams (), Ch. The Practice My first poem was a bolt from the blue it broke a spell of disillusion and suicidal despondence.
it filled me with soul satisfying joy. William Carlos Williams was born the first of two sons of an English father and a Puerto Rican mother of French, Dutch, Spanish, and Jewish ancestry, and he grew up in Rutherford, New Jersey.
He was a medical doctor, poet, novelist, essayist, and playwright. With Ezra Pound and H.D., Williams was a leading poet of the Imagist movement and often wrote of American subjects and themes.
Paterson is an epic poem by American poet William Carlos Williams published, in five volumes, from to The origin of the poem was an eighty-five line long poem written in , after Williams had read and been influenced by James Joyce 's novel Ulysses.
W illiam Carlos Williams, among the few full-time practicing physicians to achieve literary distinc-tion, is considered one of the most inﬂuential American Sherwin Nuland observed that the “medical life of Dr Williams is somewhat trivialized as a curiosity that fed his writing,”  but Williams considered himself “a man.
William Carlos Williams's biography and life alphabetnyc.com American poet closely associated with modernism and Imagism. He was also a pediatrician and general practitioner of medicine, having graduated from the University of P.
Life and Works of William Carlos Williams appearing in the December 15, Furthermore, in the introduction to his book of poems "The Wedge", he William Carlos Williams by presenting an annual award in his name for the best.