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The story is based on his real experience in the autumn ofwhen he was recovering at the hot springs of Kinosaki, from an accident which nearly took his life. Shiga was walking with a friend toward Shibaura one evening along beside the train track of the Yamanote Line when the train hit him from behind.
All the incidents that take place in the novel did actually happen in the same period of time of three weeks. Shiga Naoya is reported to have said that he never attempted to draw a line between story novels and non-fiction essays.
He described his main function as a writer was to select, set and arrange materials into a story. This makes us understand his interest in death which goes on to be the main factor in what he notices in his three weeks at Kinosaki. Later, in the third paragraph, Shiga explains his melancholy state of mind and his gloomy thoughts that absorbed him at the beginning of his convalescence very directly.
Francis Mathay, in her book on Shiga Naoya, writes: Shiga writes clear descriptions of the nature and scenery around him while at the same time focusing in on the object of his thinking with an almost eerie amount of detail.
In the first of such descriptions, we can see an example of this. When describing the road that he often strolled on before dinner in the evenings, he explains how he sometimes looked into the stream under the road: This is an example of the Shiga style, which appealed to me as a reader the most.
This death represents a natural death; dying of old age.
The graphic detail of the bee and the clever comparison of it with the moving bees around it show how the death makes such an impact on him, and subsequently on us the reader. I felt a certain nearness to that quiet. The Death of the Rat It was still the morning of the day after the rain had washed away the dead bee, when the narrator encounters another death of an animal.
This death of a rat is much more cruel and deliberate than the natural death of the bee. This death can be seen to be representing murder; or any death where a third party deliberately robs someone of their life.
The rat had a skewer of some sort thrust through its neck, and was trying to climb a stone wall out of a river, while people threw rocks and laughed at it. Again, as with the bees, Shiga is referring to the loneliness of death, the lack of concern from others.
He continues to contemplate the confusing opposing relation between his lack of fear of death and his uncontrollable will to fight it. It is of my belief that this death of the lizard represents any sudden death from accident or tragedy; death which the victim is not at all prepared for.
The narrator accidentally kills a lizard by throwing a rock at it in an attempt to startle it. There is an almost sickening vivid description of the lizard dying: The toes of the projecting front feet, braced against the slope with knee joints cut, turned under and the lizard fell forward, its strength gone.
Its tail lay flat against the rock.
It did not move. However, he could not feel the gratitude he felt would be natural feeling for being on the good end of such luck. Shiga then writes one of the most profound statements of the story:Shiga Naoya wrote "At Kinosaki" (Kinosaki ni te - é‚Ì è‚É‚Ä) in , when he was 34 years old.
The story is based on his real experience in the autumn of , when he was recovering at the hot springs of Kinosaki, from an accident which nearly took his life. Naoya, Shiga Japanese short story writer, novelist, critic, and essayist. Shiga was one of the most influential Japanese fiction writers of the TaishŌ period ().
An Essay on 'At Kinosaki' by Shiga Noaya Background Facts about 'At Kinosaki' Shiga Naoya wrote "At Kinosaki" (Kinosaki ni te) in , when he was 34 years old. The story is based on his real experience in the autumn of , when he was recovering a.
Background Facts about 'At Kinosaki' Shiga Naoya wrote "At Kinosaki" (Kinosaki ni te - é‚Ì è‚É‚Ä) in , when he was 34 years old.
The story is based on his real experience in the autumn of , when he was recovering at the hot springs of Ki. Naoya Shiga (志賀 直哉, Shiga Naoya, 20 February – 21 October ) was a Japanese novelist and short story writer active during the Taish He wrote stories connected with most of the places he lived in, including Kinosaki ni te ("At Cape Kinosaki") and Sasaki no bai.
SHIGA Naoya (LITERATURE) (A Dark Night’s Passing), ; after this wrote very little fiction and contented himself with writing short lyrical essays and sketches that reflect the tranquility of his life in the bosom of nature and family.
”Kinosaki nite”(At Kinosaki), written while Shiga was .